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Terri Draws Stuff

Streaming for a bit today, come say hi!

Streaming for a bit today, come say hi!

Fashion-Inspired Portraits by Terri Morgan

Hey guys, I’m now accepting commissions through Art Corgi! 

cathuia

(via thoughtsupnorth)

blackgirlstalking

If You Missed It, Doc 'Kehinde Wiley: An Economy of Grace' Is Now Online. Watch It Here!

blackgirlstalking:

Watch. This. Doc. I’ve had the pleasure of seeing Kehinde Wiley’s work in person, it is massive and intricate and gorgeous. I actually saw a piece from the set they’re talking about here, a very striking piece about Black femininity and western beauty standards. I  had known a little about his process, but this doc goes into great depth, not just about Wiley as an artist, but the lives of the women who sat for him as well.

~Aurelia 

I wanted to try out Zbrush because I’ve been hearing so much about it, but since there isn’t a free trial, I downloaded Mudbox instead. I found it waaaay easier to use than Sculptris; it was more intuitive (though that that could be because I tried Sculptris before this). Hello new love of my life ~

I’m spending the majority of this weekend studying, so expect to see me pop up on livestream later!  

euclase

As someone who likes to work from life, I really struggle with working from photos. The work seems to come out flat when compared to what I do from life. Your work seems to be so alive; more so than a photo. I feel like the trick is not being a slave to the photo reference as the camera can lie (bleached out lights and overly dark shadows). My brain doesn't know how to paint what's not there. Do you had any tips for working with photos so that it doesn't look like you just painted a photo?

euclase:

Don’t paint the photo. Paint what’s in the photo.

If you need more information about the thing in the photo, get better photos of the thing. If you need more knowledge about what choices to make, practice and study.

When you’re standing in a meadow with your easel, you have ten gazillion times the amount of information available to you compared to a photo of the same meadow. That means you can make a lot more choices about what you paint. A photo isn’t complete. It’s a mechanically acquired sample. No one stands in a meadow and tries to paint what they think a photo of a meadow would look like.

I mean, you can’t measure a photo on a painting scale. The photo will always come up short. No offense to photographers. It’s apples to oranges, yeah? An apple might taste good compared to other apples, but for an orange, it’s pretty shitty tasting.

That’s why when you try to paint a photo, you end up with something unsatisfying.

It takes a lot of practice to paint the thing and not the photo of the thing. I imagine it will take a lot more practice to get into the habit of separating the two if you’re used to painting from life. But it’s totally doable.

Also, I just realized who you are. Hi. :)

Pretty sweet advice. 

heysawbones

heysawbones:

I got my Ayami Kojima artbook in the mail and it is just blowing my mind. It’s even better than I imagined. I’m gonna learn so much.

OMG, want. 

thesoulshouldalwaysstandajar

thesoulshouldalwaysstandajar:

This is video is of a 14 year old boy at the Ferguson Protest. It is beautiful and eye opening. Take the time to watch this. I teared up a bit.

(via blackgirlstalking)

wintergrey
wintergrey:

Reminder that Ferguson is a food desert and school is canceled. People’s movement is restricted. The work of the St Louis Food Bank is vital right now. Help if you can. (x)
STL FOOD BANK

wintergrey:

Reminder that Ferguson is a food desert and school is canceled. People’s movement is restricted. The work of the St Louis Food Bank is vital right now. Help if you can. (x)

STL FOOD BANK

(via egomatter)